Drop sources
Files or folders, mixed resolutions and durations. Each source can have its own copy count and preset.
One source video in, up to 999 variations out per run — each one different at the frame, audio and container level, and each one rendered locally. No upload, no account, no per-render fee.
Renaming a file or changing its bitrate does not make a video unique. Platforms do not compare names; they compare what the video looks like, what it sounds like, and what the file says about where it came from. A useful video uniquifier has to move all three — and move them differently for every copy.
RepurposeThis is built around that requirement. Every control is a range, not a fixed value: film noise 4–12, zoom 1.02–1.12×, pitch −1 to +1 semitone. A batch of 240 copies samples those ranges 240 times, so the outputs differ from the source and from each other.
This is not an editor. It is a batch renderer for a decision you already made.
Files or folders, mixed resolutions and durations. Each source can have its own copy count and preset.
Ten built-in profiles, or build your own stack. Every enabled effect contributes a sampled value per copy.
NVENC, AMF or VideoToolbox when available, x264 fallback when not. Sources without audio skip the audio graph instead of failing.
Per-copy dHash distance and a batch median, plus optional contact sheets to check the results by eye.
Cloud uniquifiers upload the source, bill by the render, and keep your footage on their storage. RepurposeThis uses the CPU and GPU you already own, which is why the licence can be a one-time $25 instead of a monthly fee.
| Decision | Cloud tool | RepurposeThis |
|---|---|---|
| Processing | Their servers | Your machine |
| Source privacy | Uploaded | Never leaves disk |
| Pricing | Monthly / credits | $25 once |
| Volume cost | Scales with output | Flat |
| Works offline | No | Yes |
| Measurement | Rarely shown | Hash distance per copy |
The common case is not piracy. It is a creator with one good shoot and several platforms, or an agency with several clients in the same niche.
A long edit becomes a week of short posts, each with its own fingerprint, without re-editing by hand.
Shared footage becomes client-specific files with separate presets and copy counts per source.
Bring a five-year-old upload back as a new file with new metadata instead of a byte-identical re-upload.
Uniquifying a file changes the file, not the rights. Use footage you own or are licensed to use, and follow each platform’s rules. Read the rights guide →
Up to 999 per video source in a single run, and there is no limit on the number of runs. The practical limit is disk space and time.
No. $25 once, one machine, no expiry. Multi-machine keys are quoted in the chat.
Yes. There are dedicated 9:16 framing controls and resolution is preserved unless you crop or zoom.
The audio graph is skipped rather than failing the encode — common with stock footage and screen recordings.
No. It changes file-level characteristics measurably. Platform outcomes depend on many signals no encoder can touch, including rights and account behaviour. See how duplicate detection works.
Yes — the effects reference lists every control with its real range and step, and the documentation covers the workflow.
$25 once, one machine. Send your machine ID on Telegram and we will issue the key.